Lillian Gish
Lillian Gish
Lillian Gish
Lillian Gish
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About Lillian Gish
BIOGRAPHY (continued)

That same year, in The Mothering Heart, Lillian started showing signs of the emotional power hidden in the seemingly frail and hauntingly beautiful actress. Griffith utilized Lillian's aura to its fullest to develop the image of the suffering heroine. She also demonstrated an intense anger as shown in the same film, when she beats a bush after the death of her child. This intensity was present in all her films thereafter. Broken Blossoms is arguably Lillian's greatest silent film. The terror she expressed as her drunken father breaks down the door to the closet she was hiding in was communicated directly to the audience. She displayed that same intensity in Way Down East, when she baptizes a dying baby and in The Wind, where she roams, dying, through the streets of Montmartre. In 1920, she directed Dorothy Gish in Remodeling Her Husband and in 1922 she made Orphans in the Storm, her last film under Griffith's direction. She joined Metro-Goldwyn-Mayer in 1924 and made her first "talkie" One Romantic Night in 1930. She then returned to the stage in Uncle Vanya.

During the 1930s Lillian began working in radio. She made her television debut in 1948 with the Philco Playhouse production
The Late Christopher Bean. In 1969, Lillian began giving the film lecture "Lillian Gish and the Movies: The Art of Film, 1900-1928."

Lillian has been honored with many of the motion picture industry's top honors, including an honorary Academy Award, The American Film Institute Life Achievement Award and the D.W. Griffith Award for lifetime achievement.

Lillian's combination of fragility and strength, as well as her rare beauty and brilliant performance on screen, made her one of the greatest stars in silent films. She will always be remembered as one of the pioneers in the motion pictures industry.


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Broken Blossoms
Broken Blossoms (1919)
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Lillian Gish: A Life on Stage and Screen
Lillian Gish: A Life on Stage and Screen
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